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Odisha Part 7: The Rajarani Temple, Bhubaneshwar

The Rajarani Temple in Bhubaneshwar gets its name from the stone used to build it - the red and yellow sandstone used here is locally called Rajarani. This temple was once known as the Indreshwara temple, which is mentioned in the Ekamra Purana, which tells us about the temples of Bhubaneshwar, which was then known as Ekamra Kshetra. Today, the temple stands in a well-maintained lawn, and is the only ticketed monument within the city. The temple is built in the typical Kalinga style, with the tall curvilinear shikara over the garbagruha , and a jagamohana connected to it. The temple is believed to date back to the 11 th century, and is most well known for its sculptures. The entrance to the temple has two pillars with a Naga couple protecting the sanctum, holding garlands in their hands. The base of the pillar shows 3 lions standing over 3 elephants, a typical motif in temples of this region during this period. On the other side of the pillar is a horse and rider, and the two mo...

Book Review: Asura, by Anand Neelakantan

Taking a break from the festival posts, here is a book review instead, for you, while I gather more Navaratri - related material to post!  I had high hopes from ‘Asura’ – Tale of the vanquished - The story of Ravana and his people , by Anand Neelakantan. After all, how often is it that we get to read the other side of an epic? I should have been warned by the title – or rather, the long explanation to the title. The book is just the same, a long, rambling monologue, which brings little new or interesting to the fore.

Book Review: Arjuna by Anuja Chandramouli

Arjuna, in the Mahabharata, is described as the Nara to Krishna’s Narayana. In the entire epic, if Krishna is the one who wields the strings, albeit behind the scenes, it is Arjuna who is in the forefront of the story. It is he who is the most loved among the Pandavas, and it is his story Anuja Chandramouli seeks to relate, in her book by the same name.