Skip to main content

Posts

Showing posts with the label Museum

Featured Post

Odisha Part 11: Discovering the Jaina Heritage of Odisha at the caves of Udaygiri and Khandgiri

The Hindu and Buddhist history of Odisha , or rather, ancient Kalinga, is rather well known to everyone. Who hasn’t heard of the grand temples of Odisha – Puri, Lingaraj and Konark, or the great war of Kalinga which inspired Ashoka to convert to Buddhism? In contrast, very few know of the Jaina heritage of this region. This is quite a pity, since, just around 7 km from the city, is one of India’s most ancient inscriptions, which throws light on the Jaina heritage of Odisha. This inscription is the Hathigumpha inscription of Kharavela, in the hills of Udaygiri. Udaygiri and Khandgiri are two hills located opposite each other, and both are testaments to the rich Jaina heritage of Odisha. The caves at Udaygiri are older, while Khandgiri is relatively newer, but has lasted much longer, and continues to be a place of pilgrimage for Jains even today. These hills, from inscriptions and excavations of caves, shrines and rock beds, appear to have been a haven for Jaina monks, right from the ...

Odisha Part 3 - Konark : The Surya Temple, through my eyes

Many years back, when I visited the National Museum in Delhi, one of the images that I was most impressed by, was the Surya from Konark. I remember being rooted to the ground as I stood in front of the sculpture, admiring every detail, simply unable to walk away. There are various ideas of where the sculpture was placed in the temple, but wherever it was placed, there is no question that it would have drawn all eyes. I remember wondering back then, if this single sculpture was so impressive, how much more impressive the temple would have been! The first thing that struck me about the Konark temple during my first visit, was its size. I have seen huge ancient temples before – the Brihadeeshwara temple and the Kandariya Mahadev temple, to name just two. However, Konark was something else. It was awe-inspiring to even think of just how much larger the original temple would have been, with its main spire intact. So many years later, on my second visit, the size was still impressive, bu...

Odisha Part 2 - Puri: The Experience of Jagannath

The temple of Jagannath at Puri is one of the four most important temples across India. Sometimes called the Char Dham – Badrinath in the north, Rameswaram in the South, Dwarka in the west, and Puri in the east – these temples mark four corners of our country, and each of these temples has a connection to Adi Shankara. He is said to have travelled to each of them, thus marking a sacred geography of India, long before the country actually existed. Among these 4 temples, 3 are dedicated to Lord Vishnu, while only Rameswaram is dedicated to Lord Shiva, though the lingam there is said to have been installed by Rama. Further, Shankara set up Mutts at 3 of these sites (or very close to these sites, like at Badrinath, where the mutt is at Joshimutt), while the mutt in the south is at Sringeri in Karnataka, quite a distance away from Rameswaram. Coming back to the topic, I have visited Rameswaram most often, Badrinath during my childhood, and Dwaraka a few times, but Puri had stayed out of re...

Tanjore and Mysore Paintings at the CSMVS Mumbai

A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor...