The Hindu and Buddhist history of Odisha , or rather, ancient Kalinga, is rather well known to everyone. Who hasn’t heard of the grand temples of Odisha – Puri, Lingaraj and Konark, or the great war of Kalinga which inspired Ashoka to convert to Buddhism? In contrast, very few know of the Jaina heritage of this region. This is quite a pity, since, just around 7 km from the city, is one of India’s most ancient inscriptions, which throws light on the Jaina heritage of Odisha. This inscription is the Hathigumpha inscription of Kharavela, in the hills of Udaygiri. Udaygiri and Khandgiri are two hills located opposite each other, and both are testaments to the rich Jaina heritage of Odisha. The caves at Udaygiri are older, while Khandgiri is relatively newer, but has lasted much longer, and continues to be a place of pilgrimage for Jains even today. These hills, from inscriptions and excavations of caves, shrines and rock beds, appear to have been a haven for Jaina monks, right from the ...
Long long ago , there lived a talented sculptor, who was also a very devout man. He once got a vision of Lord Muruga, asking him to make 3 sculptures of the lord as Shanmugha (6 faced), seated on a peacock, which would be more beautiful than any other idol made so far. Of course, a sculptor needs a patron, and the lord provided him a patron in the form of the king who wanted a beautiful idol for the temple at Sikkal. He wanted a stone idol for the moolavar as well as bronze idol for the Utsavar. The sculptor began his work with a huge block of stone at the village right next to Sikkal. He worked with so much devotion and dedication, that when he was done, it was certainly the most beautiful sculpture of Shanmugha ever made. It was so detailed, that even the veins on the palms of the lord and the on legs of his mount were visible. The whole sculpture stood, not on a base, but on the two spindly legs of the peacock, Muruga’s mount. It held in its mouth, a snake, and the Lord sat on it, 6...