The Rajarani Temple in Bhubaneshwar gets its name from the stone used to build it - the red and yellow sandstone used here is locally called Rajarani. This temple was once known as the Indreshwara temple, which is mentioned in the Ekamra Purana, which tells us about the temples of Bhubaneshwar, which was then known as Ekamra Kshetra. Today, the temple stands in a well-maintained lawn, and is the only ticketed monument within the city. The temple is built in the typical Kalinga style, with the tall curvilinear shikara over the garbagruha , and a jagamohana connected to it. The temple is believed to date back to the 11 th century, and is most well known for its sculptures. The entrance to the temple has two pillars with a Naga couple protecting the sanctum, holding garlands in their hands. The base of the pillar shows 3 lions standing over 3 elephants, a typical motif in temples of this region during this period. On the other side of the pillar is a horse and rider, and the two mo...
A question I was regularly asked at one time was:”So, you are a Tamilian. You must have learnt classical music and Bharatanatyam, right?” It was a question which always succeeded in irritating me, for I had nothing to do with either music or dance, despite being a Tamilian. Yes, my mom had, true to tradition, tried to get me interested in music. I had endured the classes for a year, and soon after, telling my mom that the classes intruded into my reading time, had refused to go anymore. She would have loved to send me to Bharatanatyam classes, but that was something I had no interest in even trying! Having two left feet, I stayed away from dance of all kinds, and she soon gave up, leaving me to my literary pursuits. Living in a place where there were hardly any cultural events, and even fewer related to our South Indian background, I grew up blissfully ignorant of Carnatic music and Bharatanatyam. Then, I got married and shifted to a predominantly South Indian neighbourhoo...