The Elephanta Caves , located on Elephanta Island, or Gharapuri, about 11 Km off the coast of the Gateway of India, Mumbai, are a UNESCO World Heritage Site. A visit to these caves, excavated probably in the 6 th century CE, is awe-inspiring, and also thought-provoking. Over the years, I have visited the caves a number of times, and also attended a number of talks by experts in the fields of art, history and archaeology on the caves. Together, they help me understand these caves, their art, and the people they were created for, just a little bit better. Every new visit, every new talk, every new article I read about the caves, fleshes out the image of what the island and the caves would have been like, at their peak. I last wrote about the caves on this blog, in 2011, almost exactly 11 years ago. Since then, my understanding of the caves has, I would like to think, marginally improved. Hence this attempt to write a new and updated post, trying to bring to life, the caves of Elephan
A question I was regularly asked at one time was:”So, you are a Tamilian. You must have learnt classical music and Bharatanatyam, right?” It was a question which always succeeded in irritating me, for I had nothing to do with either music or dance, despite being a Tamilian. Yes, my mom had, true to tradition, tried to get me interested in music. I had endured the classes for a year, and soon after, telling my mom that the classes intruded into my reading time, had refused to go anymore. She would have loved to send me to Bharatanatyam classes, but that was something I had no interest in even trying! Having two left feet, I stayed away from dance of all kinds, and she soon gave up, leaving me to my literary pursuits. Living in a place where there were hardly any cultural events, and even fewer related to our South Indian background, I grew up blissfully ignorant of Carnatic music and Bharatanatyam. Then, I got married and shifted to a predominantly South Indian neighbourhood – one w