A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor
This Sunday, we had been to Karjat, or rather , to a small village near Karjat , where my husband and father-in-law have been involved in Social Service activities. They go there every weekend without fail for some service activity or the other, but this was a family outing for the inauguration of a bridge that they have built. It was a small event which was to be attended by our family, a few invitees, and the local villagers. Students from the local school were the first to arrive, dressed in their best, and full of excitement. They also put up a good show, singing bhajans to the best of their ability. The villagers of course, turned out in full strength, which was expected, but the surprise was the arrival of the local politicians, most of them uninvited. It is amazing to see how well the local grapevine works, for all the politicos were there to see how someone had managed to, single handedly, and without their co-operation, built a bridge in that remote location. All of them, of c