A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor
We were on our way to a temple, with a hot spring. "It is a nice temple" assured our driver. "It won't be crowded at all." The single bus standing outside the tiny temple should have warned us, but we didn't pay attention till it was too late. The shrine, and the spring, were filled with people - who stared as we walked in. It was an unnerving experience, and we rushed to get out. A flash of white on a tree diverted me, and I hurried to see what it was. It turned out to be an Egyptian Vulture. . the saving grace of the long journey it had taken us to get here!!!