A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor
5 Kms from the bustling Cochin International Airport is the picturesque town of Kalady, situated on the banks of the Periyar River, here known as the Poorna. In this small village lived a pious Namboothiri couple, who prayed to Lord Shiva for a child. Pleased with their devotion, the lord gave them a choice – they could either have a long lived, but stupid son, or choose an intelligent one, who would walk on this earth for a scant 16 years. The couple unanimously and unwaveringly chose the latter – the son whom they named after the lord as ‘Shankara’, who would make his parents proud, and grow to be the teacher of all teachers – the Adi Shankaracharya . When Shankara was a child , his old mother found it difficult to walk to the river for her daily ablutions. Shankara prayed to Krishna, his family deity to help his mother, who blessed him and decreed that the river would follow on the footsteps of Shankara. This not only changed the course of the river here, but also gave a