The absence of ancient Hindu structures in Kashi is something I have always lamented about. The shrines are certainly ancient, and that is something that has always attracted me to the city. However, I miss the beauty of the ancient structures that we see at other sites. This feeling is intensified when I see marble and concrete and tiles in temples that once would have been beautifully adorned with evocative sculptures, and worn by the passage of time, touched by the hands of seekers who came before. This time , this desire to see some remnants of an ancient Hindu structure in Kashi came true when I managed to visit the Kardameshwar Temple. The Kardameshwar temple is not one of the main temples in the city. It is part of the temples on the Pancha Kroshi yatra, a pilgrimage which takes one on a circumambulatory tour of the whole city. The temple is located on the outskirts of the city, on the western bank of a tank called the Kardama Kund. The Kardameshwar temple is one of the...
Long long ago , there lived a talented sculptor, who was also a very devout man. He once got a vision of Lord Muruga, asking him to make 3 sculptures of the lord as Shanmugha (6 faced), seated on a peacock, which would be more beautiful than any other idol made so far. Of course, a sculptor needs a patron, and the lord provided him a patron in the form of the king who wanted a beautiful idol for the temple at Sikkal. He wanted a stone idol for the moolavar as well as bronze idol for the Utsavar. The sculptor began his work with a huge block of stone at the village right next to Sikkal. He worked with so much devotion and dedication, that when he was done, it was certainly the most beautiful sculpture of Shanmugha ever made. It was so detailed, that even the veins on the palms of the lord and the on legs of his mount were visible. The whole sculpture stood, not on a base, but on the two spindly legs of the peacock, Muruga’s mount. It held in its mouth, a snake, and the Lord sat on it, 6...