A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor
The Narmada flows down the mountains , carving out a path for herself as she makes her way down to the plains of Central India. She cascades from the rocks, her fine spray making it appear as if billows of smoke (dhuan) arise from the flowing streams of water (dhaar), giving it the name Dhuandhar. Dhuandhar Falls The force of her flow creates a gorge , smoothening and carving out the rocks into fantastic shapes, the pure white of the rocks standing starkly against the shades of the water. It is a joy to cruise down the river in a boat, seeing the natural contours created by the river, now famous as the Marble Rocks. We are at Bhedaghat, located on the banks of the Narmada near Jabalpur, where thousands of visitors turn up to see these natural landscapes, creations of the sacred Narmada, and pay obeisance to her. However, to me, the most interesting thing about Bhedaghat, isn’t the falls or the rocks, or even the river. What makes Bhedaghat special is t