A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor
Rows of cenotaphs filled the walled enclosure at the Devi Kund Sagar, Bikaner. Built of brown stone, and marble, these were the cenotaphs of the royal family. It was interesting to see that the memorials were different for men and women. The cenotaphs of the men had a standing stone with an image of Lakshmi Narayana carved on them, with detailed inscriptions giving their names, as well as family details, birth and death dates. In sharp contrast, those of women simply had footprints inscribed on stone. Memorial stone in the cenotaph of a man, Devikund Sagar, Bikaner