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Newasa - Encountering an unique form of Vishnu, and Sant Jnaneshwar

The year was 1290 . A crowd had gathered around a clearing, where broken down pillars marked the presence of an ancient temple, now long gone. A young boy, just 14 years old, leaned against one of those pillars, deep in thought. Then, he began speaking, and the crowd fell silent, listening to his every word. He spoke without any notes, translating the Bhagavat Gita, from Sanskrit, which only the pundits knew, to the language everyone in the village knew and spoke – a variety of Prakrit which developed into the Marathi language. Even as he spoke, one of the men in the audience realized how momentous this event was, and how important this composition would be. He began writing down the words the young boy spoke, and this composition was named by its author and composer, the Bhavartha Deepika – the enlightening meaning (of the Bhagavat Gita). Now, the ancient, holy text, was no longer restricted to the pundits, but accessible to all, understood easily by them, composed as it was, in their...

Kanheri - Stories in Stone

The caves at Kanheri are awe-inspiring . To begin with, there are over a hundred, spread over three hills! Then, there is the fact that they were in use for over a millennium! Add to this the wonderful art in the caves which still remains, after centuries of neglect. Taken together, Kanheri is a fascinating place, one that makes us want to delve further into its history and its stories. An inscription from Cave 3, Kanheri

The Art of Kanheri

The stories of Kanheri are spread over time and space. They begin somewhere in the 1 st century B.C.E., when the first monks passed by, and stayed in caverns hidden in these hills. Then came others, who excavated these caves, to live in, to study, and to promote their religion, to discuss their beliefs. Time passed, and as the social and political scene changed, Kanheri changed too. The caves spread over three hills, then satellite settlements began, and patrons came from far and wide. Inscriptions talk of donors who came all the way from Central Asia, the North East Frontier region and Eastern India. Along them came their influences, which are seen in the art of Kanheri. A Stupa in Cave 36, with remnants of paintings on the ceiling

Kanheri - First Impressions

I stood at the foot of the steps , looking up at the mountain. The caves carved into it centuries ago were just visible, and, for the umpteenth time that morning, I reflected on the irony, that I had grown up almost right under the shadow of these mountains, yet it had taken me so many years to actually come here. My mother’s refrain “There’s a time for everything” constantly echoed in my head, as I followed the others up the flight of steps which would lead us to the Kanheri Caves. I was glad, at least, that though delayed, I was visiting the caves to attend a three day site seminar by Dr. Suraj Pandit, one of the foremost experts on Kanheri.