The Rajarani Temple in Bhubaneshwar gets its name from the stone used to build it - the red and yellow sandstone used here is locally called Rajarani. This temple was once known as the Indreshwara temple, which is mentioned in the Ekamra Purana, which tells us about the temples of Bhubaneshwar, which was then known as Ekamra Kshetra. Today, the temple stands in a well-maintained lawn, and is the only ticketed monument within the city. The temple is built in the typical Kalinga style, with the tall curvilinear shikara over the garbagruha , and a jagamohana connected to it. The temple is believed to date back to the 11 th century, and is most well known for its sculptures. The entrance to the temple has two pillars with a Naga couple protecting the sanctum, holding garlands in their hands. The base of the pillar shows 3 lions standing over 3 elephants, a typical motif in temples of this region during this period. On the other side of the pillar is a horse and rider, and the two mo...
This group
of seven figures caught my eye as I wandered around the ruins of the rock cut
temples at Masroor. “Sapta Matrika!” I exclaimed, surprised to see them here.
Then, after
a closer look, I wondered – “Are they Sapta Matrikas, or simply seven figures?
I can hardly make out if they are women. Besides, they are seated on lotuses.”
They were certainly important figures, going by the detailed carvings above and
below them, though the figures themselves are too ruined to identify.
We moved
on, and stopped once more, at the sight of this panel…
Another
group of delicate, standing figures, certainly feminine this time. The first
was almost certainly Indrani – going by her vehicle, the elephant; and the
third must be Maheshwari, mounted on her bull. So, are they Sapta Matrikas too?
Well, there were more than seven figures here, so they couldn’t be. Could they
be Ashta Matrikas? No, there were more. Nava Durgas? By now, we were confused.
This group, once again seated on lotuses, was the last panel we saw. At first, we thought
they were just three. Then, we noticed the almost completely ruined figures on
the left and right. So, five goddesses… who could they be?
The central
one was surely Gajalakshmi – see the elephants by her side? Could this have
been part of an Ashta Lakshmi panel? The gods only know. The archaeologists
certainly don’t seem to, there is so little information on these temples
available!
There were
other panels, with other groups of deities, but they were certainly male. I was
more fascinated by these panels, depicting the goddesses.However, I shouldn’t
have been so surprised. The Kangra Valley is associated with a number of
temples dedicated to the Goddess, prominently among them, Jwalaji, Chitpurni,
Bagalamukhi, Vajreshwari, and Chamunda. Many of these shrines are considered
the most sacred to the goddess, and counted among the Shakti Peethas. No wonder
so many of her forms are depicted at the Masroor Temple, which is also in the
Kangra valley.
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