More Temples at Pattadakal

A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor

More Temples at Pattadakal

The World Heritage Site of Pattadakal deserves more than just a cursory glance. There is so much to see and appreciate, and even during our short visit to the place, I clicked so many photos that I found it impossible to put all of them together in one post! Here are my first two posts on the temple complex at Pattadakal -

Continuing with our walk through the temple complex, we next arrived at the Chandrashekhara Temple. The plain and simple structure is the one which attracts least number of visitors, and consequently, is empty and easy to photograph!

The next temple is a striking one, the first here with the dravida vimana, the southern type of temple spire.

This is the Sangameshwara Temple, originally known as the Vijayeshwara temple, since it was built by the Chalukya king, Vijayaditya.

Look at the intricate lattices on the walls! No pattern is repeated! Some of the niches are empty, while some have figures of different forms of Shiva as well as Vishnu.Unfortunately, some of the niches are also empty, and some of the figures are incomplete.

Detail of the vimana

The saga of incomplete work is evident all over this temple. Such as these on the base platform. It shows us how the artisans would have begun their work, and also tells us that the work was abandoned due to some reason.

Another incomplete set of work

Outside this temple was a broken pillar, set at a lower level, in a depression. I wondered if it was a dhwajasthambam or temple pillar, but our guide wasn't able to shed much light on it.

Samhith standing next to the broken pillar...
he is about 4 ft tall, so that depression is at least 3 ft in depth!

Detail at the bottom of the pillar

Considering the rate at which I am going, I wonder when I am going to finish this series, but I can't help wanting to post almost every single photo I have taken!

Coming up next: Some of the most beautiful temples at Pattadakal!

Pattadakal Quick Facts

Getting there:

Nearest Airport: Hubli (about 120 Km )

Nearest Railway Station: Badami (29 Km)

Pattadakal is well connected by road to Badami (29 Km) and Aihole (24 Km).

Where to stay: There is practically no accommodation available at Pattadakal. The nearest city is Badami, where the KSRTC Mayura Chalukya is the best option. There are also other hotels and lodges in Badami.

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis

Ladakh - Planning The Trip

Over 2000 Km by road, in around 10 days. Stunning landscapes, wonderful people. That sums up our Ladakh trip. But how did it actually work? How did we make it happen? Read on to find out! Leh, the capital of Ladakh , is accessible by air and road. Flying into Leh is the easiest, and time-saving option, while the road is the time consuming one, but with the added advantage of driving past some of the most beautiful landscapes in our country. Each option has much to recommend it, and we chose the road for just one reason – altitude sickness. Altitude sickness was one of my biggest concerns, since I suffer from motion-sickness. Yes, I do travel a lot, but that is despite my condition, and, over the years, have learnt how to handle it. I struggled with it when we visited Nathu-La in Sikkim, and wondered if I would be able to manage a week at the even higher altitudes that we would encounter in Ladakh. This was the reason we stuck to a basic plan, of only 9 days in Ladakh, though we

Bhedaghat - Home of the 81 Yoginis

The Narmada flows down the mountains , carving out a path for herself as she makes her way down to the plains of Central India. She cascades from the rocks, her fine spray making it appear as if billows of smoke (dhuan) arise from the flowing streams of water (dhaar), giving it the name Dhuandhar. Dhuandhar Falls The force of her flow creates a gorge , smoothening and carving out the rocks into fantastic shapes, the pure white of the rocks standing starkly against the shades of the water. It is a joy to cruise down the river in a boat, seeing the natural contours created by the river, now famous as the Marble Rocks. We are at Bhedaghat, located on the banks of the Narmada near Jabalpur, where thousands of visitors turn up to see these natural landscapes, creations of the sacred Narmada, and pay obeisance to her. However, to me, the most interesting thing about Bhedaghat, isn’t the falls or the rocks, or even the river. What makes Bhedaghat special is t

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