More Temples at Pattadakal

My first trip to Vaishnodevi was unimpressive. Climbing was hard, and it only served to highlight how badly out of shape I was, while my in-laws managed to cope so much better. Further, I hadn’t quite realized that the cave experience wouldn’t be the same as I had imagined, since the original cave was only opened at certain times a year, and that we only entered a newly created tunnel, one far easier to access, and hence more manageable with the crowds that thronged the mountain shrine. The resulting experience at the shrine, for barely a fraction of a second, hardly compared to what I had expected / imagined / heard about. So, for me, Vaishnodevi was like any other temple, nothing to write home about, something that was reflected (though not explicitly mentioned) in the blog post I wrote then.

More Temples at Pattadakal

The World Heritage Site of Pattadakal deserves more than just a cursory glance. There is so much to see and appreciate, and even during our short visit to the place, I clicked so many photos that I found it impossible to put all of them together in one post! Here are my first two posts on the temple complex at Pattadakal -

Continuing with our walk through the temple complex, we next arrived at the Chandrashekhara Temple. The plain and simple structure is the one which attracts least number of visitors, and consequently, is empty and easy to photograph!

The next temple is a striking one, the first here with the dravida vimana, the southern type of temple spire.

This is the Sangameshwara Temple, originally known as the Vijayeshwara temple, since it was built by the Chalukya king, Vijayaditya.

Look at the intricate lattices on the walls! No pattern is repeated! Some of the niches are empty, while some have figures of different forms of Shiva as well as Vishnu.Unfortunately, some of the niches are also empty, and some of the figures are incomplete.

Detail of the vimana

The saga of incomplete work is evident all over this temple. Such as these on the base platform. It shows us how the artisans would have begun their work, and also tells us that the work was abandoned due to some reason.

Another incomplete set of work

Outside this temple was a broken pillar, set at a lower level, in a depression. I wondered if it was a dhwajasthambam or temple pillar, but our guide wasn't able to shed much light on it.

Samhith standing next to the broken pillar...
he is about 4 ft tall, so that depression is at least 3 ft in depth!

Detail at the bottom of the pillar

Considering the rate at which I am going, I wonder when I am going to finish this series, but I can't help wanting to post almost every single photo I have taken!

Coming up next: Some of the most beautiful temples at Pattadakal!

Pattadakal Quick Facts

Getting there:

Nearest Airport: Hubli (about 120 Km )

Nearest Railway Station: Badami (29 Km)

Pattadakal is well connected by road to Badami (29 Km) and Aihole (24 Km).

Where to stay: There is practically no accommodation available at Pattadakal. The nearest city is Badami, where the KSRTC Mayura Chalukya is the best option. There are also other hotels and lodges in Badami.

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis

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