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2023 - The Year That Was

Places impact you for a variety of reasons. And the same place impacts different people in different ways. This is especially true when it comes to spiritual experiences, where every single person’s experience is unique. And personally, every spiritual experience is unique, the same person can have different deeply spiritual experiences at different places, at different times. This thought has emerged because of my own experiences over the years, but especially so this year, with different and unique experiences at various places I have visited recently. I began this year with a visit to Baroda (Vadodara) with friends. It was meant to be a relaxed trip, a touristy trip, with our sons. We enjoyed ourselves to the hilt, but the highlight of that trip was a visit to the Lakulisha temple at Pavagadh. It was the iconography of the temple that I connected with, and I spent a few hours simply lost in the details of the figures carved around the temple. There was an indefinable connect with

Book Review: Warlord of Ayodhya - Rebellion , by Shatrujeet Nath

Ayodhya is synonymous with Rama, which is why it is a pleasure to read a book about Ayodhya, where there is no Ram. The events of “Warlord of Ayodhya” occur in the city, when Rama is in exile. It is Bharat who is at the centre of this story, an unwilling character forced to play the lead. While he rules the kingdom with his brother’s sandals on the throne’s footrest, and remembers his brother’s words of advice to him, it is his father he seeks to emulate as king. After all, it is his father who has ruled the kingdom all those years. While Rama is the prince, the rightful heir, it is still Dashrath who is the ideal king in Bharat’s eyes. It is these subtleties that make Shatrujeet Nath’s newest book a riveting read.



While centered around Ayodhya, the book does not limit itself to the city. The author skillfully puts Ayodhya in the context of the larger subcontinent – of the River Kingdoms and Gandhara, of Madhupura and the trade routes, and the much farther Lanka looming ominously in the shadows.

The narrative also follows not only the kings, but also the servants in and out of the palace, the traders, the soldiers, those with and without power. There is intrigue, and the author skillfully holds a lot of separate threads in his hands as he weaves the story together. If his previous books are any indication, we can look forward to all the separate threads coming together to form an intricate story that holds together beautifully as the series progresses.

As with his Vikramaditya Veergatha series, the story brings together mythology and fantasy. While there are no superheroes in this series, there is magic. And the author’s conception of magic is just as intriguing as his conception of the superpowers of his heroes in the previous series. As with his other books, this one too is fast paced. The characters are all conceptualized in great detail, and each one begins to take shape in our mind as we read about them. however, that’s where the similarities end. There are no gods here so far, though the rakshashas have already made their appearance. And the story revolves as much around the internal problems faced by the city as the external threats. Above all, so far it feels like the coming-of-age story of a king. How the author takes Bharat’s story forward and how he handles the hand-over of the throne to Rama eventually already intrigues me, and makes me wait impatiently for the next books in the series.

The only thing I’m not a fan of, in the book, is its cover. I much preferred the cover art of the Vikramaditya Veergatha series, especially the first three books. However, as they say, “Never judge a book by its cover”, so that hardly matters.

Please note: The book was sent to me for review by the author. However, the views expressed are all my own. 


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