The city of Kashi is filled with temples, big and small, old and new. There are temples at every corner, and you never know where you will stumble upon a small shrine. There are idols beneath what remains of trees (there are hardly any trees any more within the core area of the city), there are saffron covered forms resembling deities which seem attached to walls, an especially incongruous sight when the idol itself appears to be old, while the wall is evidently new…. And there are surprisingly large temples rising from what appear to be a bunch of houses. The city is sometimes colloquially said to be as old as time, and some of the shrines and temples are said to date back to times unknown, at least the deity itself, if not the structure. Not much remains of the ancient structures anyway. The city has seen more than its fair share of good and bad times. It has seen the heights of grandeur, and the lows brought about by destruction. The city that exists today has grown so haphaza...
A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor...