The Vaital temple is of the many intriguing temples in Bhubaneshwar. To begin with, the structure itself resembles a South-Indian temple more than the typical Kalingan style that we see everywhere else in Odisha. The temple has been dated to the last quarter of the 8 th century CE. Further , unlike most of the temples in Bhubaneshwar, this temple is not dedicated to Lord Shiva. Inside the sanctum is one of the deities who is very rarely seen in a sanctum – Chamunda, along with the Saptamatrikas. This is evidently a Shakta shrine. However, the presence of Lakulisha on the vimana indicates the connection with the Pasupata sect, which is most prevalent in this region during this time period. Further, the name of the temple – ‘Vaital’, comes from the word ‘ vetala’ , referring to spirits, which were invoked by tantrics to attain siddhis. Thus, this temple is an amalgamation of Pasupata and Shakta philosophy, with a strong emphasis on tantric rituals, and this is reflected in the iconogra...
A chubby, naked, fair Krishna , holding a butter ball, covered in golden ornaments, Yashoda by his side, an indulgent smile on her face, even as her finger is raised in admonition. Rama and Sita seated on the throne, Lakshmana on one side, Bharata and Shatrughna on the other, surrounded by sages and kings; Rama a distinctive green in colour. These are both popular themes in Tanjore Art. I first saw both these in temples, the Navaneetha Krishna in many homes as well, if not original, at least a recent replica or just a copy. The Ramar Pattabhishekam I have better memories of, having seen it often at the Matunga Bhajan Samaj in Mumbai, as well as at my mother-in-law’s ancestral house in Thanjavur. The latter especially is close to our family’s heart, and it’s an exquisite piece of work, the expressions on Rama and Sita’s faces as intricately done as the gold work that surrounds them. Navaneetha Krishna Beautiful as they are , to me, they are associated with divinity more than just wor...