Skip to main content

Featured Post

The Vaishnodevi Experience 2023

My first trip to Vaishnodevi was unimpressive. Climbing was hard, and it only served to highlight how badly out of shape I was, while my in-laws managed to cope so much better. Further, I hadn’t quite realized that the cave experience wouldn’t be the same as I had imagined, since the original cave was only opened at certain times a year, and that we only entered a newly created tunnel, one far easier to access, and hence more manageable with the crowds that thronged the mountain shrine. The resulting experience at the shrine, for barely a fraction of a second, hardly compared to what I had expected / imagined / heard about. So, for me, Vaishnodevi was like any other temple, nothing to write home about, something that was reflected (though not explicitly mentioned) in the blog post I wrote then.

Diwali Tour part 7 – Around Kumbakonam – Dharasuram

Recently bestowed a World Heritage Status, Dharasuram is surely one of the most beautiful temples in this area. It forms a sort of trinity along with two other grand temples – the big temple at Thanjavur and Gangaikonda Cholapuram. While it was Raja Raja Cholan who built the Brihadeeshwara Temple at Thanjavur, it was his son, Rajendra Cholan who was responsible for the beautiful architecture of Gangaikonda Cholapuram. His son, Raja Raja Cholan II is the one who built this beautiful temple at Dharasuram. Thus, across three generations, from grandfather to grandson, they kept alive the tradition of creating beauty aligned with faith, and leaving behind stones which speak more about their creators than records will ever do.




Dharasuram is the place where Indra’s elephant Airavata performed penance and was blessed by Lord Shiva. Hence the main deity is Airavateswarar, and his consort is Periyanayaki.

Here is a photo blog about this wonderful temple.


From Diwali 08 - Thanjvur Trip
Well kept lawns welcome us to Dharasuram. This is thanks to the world heritage status


From Diwali 08 - Thanjvur Trip
The main entrance to the temple.



From Diwali 08 - Thanjvur Trip
Carving of chariot wheels in the temple. These are carvings on the base on which the sanctum stands.



From Diwal 08 Thanjavur Trip 2
This is the first Pragaram of the temple.



From Diwal 08 Thanjavur Trip 2
Here is the main gopuram.



From Diwal 08 Thanjavur Trip 2
One of the paintings on the outer walls of the temple

From Diwal 08 Thanjavur Trip 2
Another painting



From Diwal 08 Thanjavur Trip 2
This is a channel through which the water poured on the lingam during the abhishekam flows out into a well outside the sanctum. Look how beautifully it has been made into an arch big enough for a man to pass through.



From Diwal 08 Thanjavur Trip 2
The early morning sunrays peeping through the gopurams.



From Diwal 08 Thanjavur Trip 2
One of the smaller gopurams



From Diwal 08 Thanjavur Trip 2
Bhikshatanar on the outer wall of sanctum



From Diwal 08 Thanjavur Trip 2
Ardhanareeshwarar




Here are a few sculptures on the pillars of the main temple. They depict various scenes from day to day life.

From Diwal 08 Thanjavur Trip 2

From Diwal 08 Thanjavur Trip 2

From Diwal 08 Thanjavur Trip 2
One of the gopurams, depicting Gajalakshmi


From Diwal 08 Thanjavur Trip 2
Detail on base of the temple.

From Diwal 08 Thanjavur Trip 2
Another view of the temple


Here are a few carvings on the base of the Sannidhi. Most of them depict animals, mostly lions and elphants, with a few cows here and there.

From Diwal 08 Thanjavur Trip 2

From Diwal 08 Thanjavur Trip 2

From Diwal 08 Thanjavur Trip 2
Painting on outer wall of Sannidhi

From Diwal 08 Thanjavur Trip 2
Another painting

From Diwal 08 Thanjavur Trip 2

From Diwal 08 Thanjavur Trip 2
A sculpture on the base of Sannidhi

From Diwal 08 Thanjavur Trip 2
A parrot sits on a Nandi on the gopuram

From Diwal 08 Thanjavur Trip 2
A window carved from a single piece of stone


Here are some more carvings from the temple

From Diwal 08 Thanjavur Trip 2

From Diwal 08 Thanjavur Trip 2

From Diwal 08 Thanjavur Trip 2



This is a carving on the pillars of the Amman Sannidhi. They aren't half as ornate as those in the Shiva sannidhi.
From Diwal 08 Thanjavur Trip 2


From Diwal 08 Thanjavur Trip 2
We are back at the main entrance.



From Diwal 08 Thanjavur Trip 2
This is all that is left of the main gate of the temple. The outer pragaram, which once enclosed both the Shiva and Amman Sannidhis is no more, Till a few years back, apparently, some parts of the ruins were still standing,but now none are left, save this solitary reminder that yes, there was once a wall here.........


From Diwal 08 Thanjavur Trip 2
As we bid goodbye to this beautiful temple, we catch a glimpse of the beautiful gopuram through the trees....

Comments

Popular posts from this blog

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.

Rama Temple, Gokarna

To my right , the waves rush to the shore, eager to merge with the sand. To my left, the same waves crash against the rocks, their spray diverting my reverie as I ponder over the beauty of nature, and wonder what first brought people here. Was it this beauty that encouraged them to build a temple here, or was it the fresh, sweet spring water flowing from the hill here that made this place special? No matter what the reason, I am glad my auto driver brought me here. We are at the Rama temple in Gokarna, just a few minutes away from the Mahabaleshwara Temple, yet offering so different a perspective.