Skip to main content

Featured Post

2023 - The Year That Was

Places impact you for a variety of reasons. And the same place impacts different people in different ways. This is especially true when it comes to spiritual experiences, where every single person’s experience is unique. And personally, every spiritual experience is unique, the same person can have different deeply spiritual experiences at different places, at different times. This thought has emerged because of my own experiences over the years, but especially so this year, with different and unique experiences at various places I have visited recently. I began this year with a visit to Baroda (Vadodara) with friends. It was meant to be a relaxed trip, a touristy trip, with our sons. We enjoyed ourselves to the hilt, but the highlight of that trip was a visit to the Lakulisha temple at Pavagadh. It was the iconography of the temple that I connected with, and I spent a few hours simply lost in the details of the figures carved around the temple. There was an indefinable connect with

Book Review: The Shadow Throne by Aroon Raman

It has been months since I have written a book review, and the reason is that I have been so caught up with personal stuff, that I have hardly been able to read anything new, or write reviews of books I have already read. The pile of books on my shelf has been growing, and I am now making an honest effort to catch up with them. Here is the first in the lot I read sometime back, but wasn’t able to write a review of… The Shadow Throne by Aroon Raman.




How do I review a book which is eminently readable, but so filled with flaws that make me wonder why I am still reading it? I have read such books before, but rarely have had to write a review. Having accepted a review copy of this one, here are my thoughts….

To begin with, on page 3 of ‘Shadow Throne’, author Aroon Raman writes
“…… his slim, elegantly uniformed figure made diminutive by the monolithic pillar that is one of Delhi’s most famous landmarks – the Qutub Minar.”
This was a book I was looking forward to reading. It was a thriller, a genre I love, and I had taken it along on a trip, as it seemed the perfect book for it. And then, on the very third page, he refers to the Qutub Minar as a monolith, and my hopes came crashing down. As my husband pointed out, not everyone is a heritage enthusiast, and not everyone might know that a monolith is, by definition – A single block of stone, especially shaped into a pillar or a monument, which, the Qutub Minar certainly isn't.  However, I do expect the editors or proof-readers at Pan Macmillan to be aware of such facts, especially so early in the manuscript. All this error served was to put me off, and made me look at the entire book with a sceptical eye.

The plot revolves around a journalist, Chandrashekar, who, trying to solve a murder, gets mixed up in a terrorist plot, is caught between the Indian Intelligence and the ISI, and finds himself in Afghanistan, trying to save the world. Sounds thrilling? Yes, it certainly is. Unfortunately, between all the spy games, the mystery and the adventure, the author forgets to give his story a good backbone.

The whole idea of the story is based on the Kushan Empire, but the research appears to be sketchy at best, and I failed to really get a sense of the back story…

The story itself is so convoluted, with twists and turns, that it reminded me of a Hindi film script, with every character made to look like the villain at some point or the other. While some authors do manage to carry off such twists in the plot, having grown up on Frederick Forsyth and John Le Carre, I guess my expectations are rather high, and this book failed to deliver.

On the positive side, the author has chosen a character he obviously relates to. The grieving Tamil Brahmin journalist, choosing to only work on stories he finds interesting, is eminently believable, as are some of the other characters. The writing is good too, overall, though it needs someone to root out pockets of trouble, like the one I mentioned earlier. Barring such issues, the book is an easy read, and I look forward to more of the author's work.

Comments

Popular posts from this blog

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

Rama Temple, Gokarna

To my right , the waves rush to the shore, eager to merge with the sand. To my left, the same waves crash against the rocks, their spray diverting my reverie as I ponder over the beauty of nature, and wonder what first brought people here. Was it this beauty that encouraged them to build a temple here, or was it the fresh, sweet spring water flowing from the hill here that made this place special? No matter what the reason, I am glad my auto driver brought me here. We are at the Rama temple in Gokarna, just a few minutes away from the Mahabaleshwara Temple, yet offering so different a perspective.

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.