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2023 - The Year That Was

Places impact you for a variety of reasons. And the same place impacts different people in different ways. This is especially true when it comes to spiritual experiences, where every single person’s experience is unique. And personally, every spiritual experience is unique, the same person can have different deeply spiritual experiences at different places, at different times. This thought has emerged because of my own experiences over the years, but especially so this year, with different and unique experiences at various places I have visited recently. I began this year with a visit to Baroda (Vadodara) with friends. It was meant to be a relaxed trip, a touristy trip, with our sons. We enjoyed ourselves to the hilt, but the highlight of that trip was a visit to the Lakulisha temple at Pavagadh. It was the iconography of the temple that I connected with, and I spent a few hours simply lost in the details of the figures carved around the temple. There was an indefinable connect with

Florentine Renaissance - The Gates of Paradise at the Dr. Bhau Daji Lad Museum, Mumbai

Gilded doors with panels depicting scenes from religious lore – I have so far seen them only in temples. Therefore, it came as a surprise to know that churches in Europe had gilded doors too, representing scenes from the Bible! Thankfully, I didn’t need to make a trip to Europe to see them, but just had to make a visit to our very own Dr. Bhau Daji Lad Museum in Mumbai, to get a glimpse of the ‘Gates of Paradise’, as this particular one is called!

The Gates of Paradise are the doors which graced the East entrance to the Florence Baptistry. This is a minor Basilica in Florence, Italy, and is an octagonal structure which stands right across the Florence Cathedral. Of course, we had to imagine the actual structure from the depictions and photographs at the museum, but the door itself is an exact replica of the original, and stands right at the entrance, towering over all the displays.

These doors are the handiwork of Lorenzo Ghiberti, who won a contest where his design was selected. Ghiberti was a young man of 21 when he won the commission, and it took him 21 years to complete the work! The doors were finished in 1452, and installed in the Baptistry, facing the magnificent cathedral opposite it. They get their nickname from none other than Michelangelo, who was so impressed by their beauty that he said they were fit to grace the entrance to paradise!

The doors guarded the entrance of the Baptistry for centuries, bearing the vagaries of nature, but the flood of 1966 caused them so much damage that they were removed, and, efforts began, to restore them to their former glory. The restoration work once again took over two decades, and the originals are now preserved in a dry environment at the Museo dell'Opera del Duomo, the museum of the Duomo's art and sculpture. Meanwhile, exact copies were also made, one of which now graces the Baptistry, while others are exhibited in museums across the world.

If you (like we did) are wondering why these doors are so special, the answer lies in the detail depicted on the panels. Normally, the panels together tell us a story, but here, each panel tells us a story, with multiple depictions within the same panel! Also, the intricate manner in which these stories are depicted, and the multiple layers achieved, all using the lost wax technique add to the beauty as well as importance of these doors! Take a look at this one for instance – the top left panel…

It tells us the story of Adam and Eve starting with God creating Adam (look closely at the bottom left), then the creation of Eve (centre), Eve being tempted by the serpent (background, left), to Adam and Eve being expelled from the Garden of Eden (right).

The same holds true for every panel! Take a closer look at each of the panels, and see if you can notice the sequential storytelling!

Cain and Abel

Noah's Ark

Abraham and Isaac

Jacob and Esau



David and Goliath

King Solomon and the Queen of Sheba
I have only mentioned the stories in the captions instead of elaborating on each one, simply because this post is already long enough. If you want to get an in depth understanding of these depictions, go over to this site, where you can see excellent photographs, zoom into them and see all the details, along with the story.

a Prophet, on the side

Besides these main panels, even the sides of the doors are decorated, with faces and figures from Biblical stories and prophets.

Noah, depicted at the bottom

Most interestingly, Lorenzo Ghiberti has included himself among these figures, as one of the door knobs, with his name etched on the side! A unique signature, wouldn’t you agree?

The bust on the left is Ghiberti's self portrait. On the right is his son, Vittore Ghiberti, who assisted him in his work! 

Apart from the Gates of Paradise, the exhibition also includes a set of photographs which show us Florence of that period, and help us visualize the doors, as well as the other exhibits, at the spaces they were made for.

Life size photograph of the North door.

Besides, the special projects gallery in the Museum Plaza has replicas of 5 restored panels of the North door of the Baptistry, once again created by Lorenzo Ghiberti, as well as 5 famed sculptures of the period, including Perseus with the head of Medusa, the creation of Benvenuto Cellini.

Replicas of the north door panels, as they were, before the restoration

Replica of one of the north door panels, after restoration.

We spent over two hours at the museum that day, admiring the beauty of the ancient work. Interestingly, we would have missed this entire exhibition, but for the museum extending their dates! Through the two months that the exhibition was on, we were so busy that I was unable to visit. I had given up all hopes of ever seeing it, when I heard of the exhibition being extended for another month, and rushed to see it! We were also lucky that we landed up at the museum just in time for the guided tour. Though I have been here many times, this is the first time that I took the tour, and both, Samhith and I, really enjoyed it! The tour wasn’t only about this special display, but about the entire museum. That, however, calls for another post, so I shall contain myself for now!

Meanwhile, if you still haven’t seen this exhibition, it is on till the 8th of July, so go, see it!


  • Location; The Museum is located within the grounds of the Veermata Jeejabai Udyan, or the Byculla zoo. 
  • How to get there: It is walking distance from the Byculla station. Plenty of buses also stop here.
  • Timings: The museum is open from 10 AM to 6 PM, and is closed on Wednesdays and Public Holidays.
  • Guided tour: The museum hosts a free guided tour on weekends (Saturdays and Sundays) at 11:30 AM 
  • The Florentine Renaissance exhibition has been extended till the 8th of July, 2014.


  1. do they allow photography inside the museum. last time when I went, i remember we had to leave our cameras outside. Anyways nice post.

  2. Wow, such an amazing set of photographs.. Getting to see this would have been one of a kind experience..

    1. Thanks, Meghana! It was def a wonderful experience. U can still go see it tho.


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