A little bit of context before you begin reading this book review. I have recently enrolled for an MA in Philosophy at the University of Mumbai. Philosophy is something I have been getting interested in, over the past few years, as those of you who have been reading my blogs and Instagram posts would know. During the pandemic, I thought long and hard about what I wanted to do next, and this is what I eventually came up with. It has been a challenge, getting back into academics as a student at this age, especially in a subject I have no academic background in. However, it has also been very exciting, especially thanks to my wonderful classmates (who, surprisingly, are of all age-groups, including some quite near my own) and my teachers, who have been very supportive and understanding. How well I will do is something that remains to be seen, but so far, I am enjoying this new journey and look forward to where it leads. Now that you know the background , you probably get an idea of how
When I
first announced
my intention of going to Kolkata, Sudha said, “Whatever
you do, don’t miss the Indian Museum!” I must confess that, till then, I hadn’t
heard of the Indian Museum. I knew there were many museums in Kolkata, and I had
every intention of seeing as many as I could, but why specifically the Indian
Museum? “Because it was the first museum in India” she replied, “and
this is the museum where all discoveries from various excavations were first
brought, and later on, given to other museums.” That settled it. I didn’t need
any more reasons to be convinced.
When I reached Kolkata, the museum was one of
the first places I asked about. “Jaadughar? Oh, it’s nearby. But why don’t you
go to Victoria Memorial or Science City?” was the reaction I got. It took me a
while to realize that the museum was locally known as ‘Jaadughar’, literally ‘house
of magic’! Why? I have no idea! Eventually,
learning that the museum was just a stone’s throw away from where we stayed, we
headed there the first thing in the morning, after a sumptuous breakfast on Park
Street…. And found ourselves to be the first visitors of the day, and the gates
yet to open!
That turned
out to be a blessing, for we managed to have the museum to ourselves for a while, before the
busloads of tourists came in. The sculpture galleries were our first stop, and
we spent quite some time immersed in sculptures from across the country, from
the 2nd to the 12th centuries AD….I have already written about
the smiling head of the Bodhisattva who charmed us here, and can go on and on
about the sculptures, but let me restrict myself to just a couple, to highlight
the variety exhibited here. This amorous couple looks different from those we
have seen, don’t they? They are from Sankisa in Uttar Pradesh, and date back to
the 2nd century AD…
The
sculptures from Amaravati in Andhra Pradesh were remarkable for their intricate work. Like this
panel, depicting events from the life of the Buddha.
And
then, there
were sculptures from West Bengal, the fine details in black stone reminding me
of some of the work from our South Indian temples… like this Garuda, and in the
background, Vishnu.
The
Egyptian Gallery
was one of the most popular ones, thanks to the Mummy preserved here!
Unfortunately, the Geology section was under
renovation, so we couldn't take a look, but the fossil sections had us
enthralled, especially Samhith! The sight of the massive elephants (no, they
apparently aren't mammoths, just big elephants. We asked.) had him enraptured,
once the placards assured him that they were indeed, real!
The Shivalik
Gallery,
dedicated to fossils found in the Shivalik Ranges, was even more fascinating,
in spite of the massive crowds which had gathered by the time we arrived there.
The
Botany Section
is one of the most extensive sections here, with samples, and details of a huge
variety of plants. From old herbariums to models of plant based industries,
such as the Jute industry, this section by itself requires hours to do justice
to it!
The museum was especially well maintained,
with boards, maps, and facilities for visitors, including wheel chairs for
those who need them.
Sadly, we also saw signs of indifference
and negligence, such as this….
The skeleton of the now extinct Hook-Lipped
Rhinoceros, with a T-shirt draped over its head! I didn’t remove it myself,
since we aren’t supposed to touch exhibits, but I did bring it to the notice of
the staff, who simply smiled, and said they couldn’t always see what the
visitors did. While I do understand their predicament, it is sad to see this
state of affairs, especially in an otherwise well maintained museum.
Another
slight was in the Bronze Gallery, where I spotted this beautiful work depicting
Kannappa Nayanar, a Shaivite Saint from South India.
There
was, unfortunately no board or explanatory placard, and placed as it was, next to a
replica of a temple from Japan, visitors naturally assumed it was from Japan
too! The museum staff, when I pointed this out, simply shrugged, saying that
the board must have been taken off for some reason! Again, in such a well
maintained museum, where the sculpture gallery had such detailed boards, this
is rather sad.
The
Museum’s age is
also a huge factor in its importance. Now in its 201st year, it has
been the hub in the heritage mapping of not just India, but the Indian Sub-continent,
and to a great extent, South East Asia too. It houses an enviable collection of
artifacts, notably the fossils, which, I don’t think exist anywhere else! There
is also a library, which you need permission to enter, but which is promising,
for anyone interested in detailed studies. The only thing they need to do
something about is the handling of the crowds! But then again, crowd control is
not something we are good at, are we?
Information:
- The Museum’s website http://indianmuseumkolkata.org/ has extensive details about the museum, and all the information for visitors, including maps and a virtual tour.
In a nutshell, here is what you need to know:
- Location: The Museum is located just off Park Street, within walking distance of the Metro Station. Ask anyone for Jadughar, and you will find it.
- Timings: In summer, the museum is open from 10AM to 5 PM, and in winter from 10AM to 4:30 PM.
- The museum is closed on Mondays and Public Holidays.
- Go early to avoid the rush. The first couple of hours as soon as the museum opens are the best. Start with the Shivalik Gallery on the ground floor, as it draws the most crowds later.
Suggestions:
- While you are the museum, please remember to maintain silence, or at least talk softly. Loud conversations and laughter are terribly distracting for those genuinely interested in the exhibits.
- Please do not touch the exhibits, however enticing they might be. I cannot reiterate this enough!
- Please use the many dustbins provided for getting rid of rubbish. The museum is not meant to be a garbage bin.
- Finally, the exhibits aren’t clotheshorses! If you want to take off your T-shirt, you can do it elsewhere!
The central garden was fully dug up when we visited one month before you... Good to see it completed quickly
ReplyDeleteDear Anuradha ji, I am a scholar of music and writing a book on music of ancient India. While searching images on google in this regard I saw a picture of Amaravati Sculptures. And after further search I found the picture has been clicked by you and is part of this blog. If you permit me to use this picture I would be very grateful to you. I will give credits for this picture to you in my book. Kindly reply me at my email - mallikabanerjee@yahoo.com...regards...Dr. Mallika Banerjee
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