Karthikai -2009 - Bharani Deepam

A little bit of context before you begin reading this book review. I have recently enrolled for an MA in Philosophy at the University of Mumbai. Philosophy is something I have been getting interested in, over the past few years, as those of you who have been reading my blogs and Instagram posts would know. During the pandemic, I thought long and hard about what I wanted to do next, and this is what I eventually came up with. It has been a challenge, getting back into academics as a student at this age, especially in a subject I have no academic background in. However, it has also been very exciting, especially thanks to my wonderful classmates (who, surprisingly, are of all age-groups, including some quite near my own) and my teachers, who have been very supportive and understanding. How well I will do is something that remains to be seen, but so far, I am enjoying this new journey and look forward to where it leads. Now that you know the background , you probably get an idea of how

Karthikai -2009 - Bharani Deepam

Karthik – the word signifies many things – the 8^th month of the Hindu calendar, and also the 3^rd Nakshatram, or star, according to the Indian system of astrology. Most of all, it is one of the names of Muruga, the son of Shiva and Parvati, a name he earned, having been nurtured by the Krittikas – 6 young girls born under the Karthik star, who picked up the 6 babies born of Shiva’s sparks from the river ganga, and who merged to take the form of Karthikeya.

Karthikai Deepam is a festival celebrating this event, falling in the Karthik month on the day when the Karthik star shines above us. It is, in a way, the south Indian equivalent of Diwali, for we celebrate this day by lighting lamps all over our house.

The first day of the festival falls on the day when the ascendant star is Bharani, and is hence called “Bharani Deepam”. In our house, it is this day which is special, and we prepare a special confection of Nell Pori (paddy flakes) and Aval Pori (puffed paddy flakes). For dinner, we also make Adai (a thicker variety of Dosa) with whole grains.

Here are my pics of the celebrations – mostly my kolam with the lamps……. Sorry for not taking any more pics, but we were rather busy with Samhith’s classes, and had no time for more…….

Meanwhile, today is Annamalai Deepam, the main day of the festival, where a huge lamp is lit on the Arunachala hill at Thiruvannamalai. We shall wait for the live coverage of the lamp being lit (on Podhigai TV) and then light our own lamps, hoping that someday, we shall be able to see the light directly rather than on TV.

There are quite a few videos of the Deepam on You-Tube, but I found an interesting blog, Living in the embrace of Arunachala , where the author, Richard Clarke, who lives with his wife in the holy town gives a day-by-day account of the festival. The narrative is interesting as well as a visual treat….. Do check it out….

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis

The Elephanta Caves

The Elephanta Caves , located on Elephanta Island, or Gharapuri, about 11 Km off the coast of the Gateway of India, Mumbai, are a UNESCO World Heritage Site. A visit to these caves, excavated probably in the 6 th century CE, is awe-inspiring, and also thought-provoking. Over the years, I have visited the caves a number of times, and also attended a number of talks by experts in the fields of art, history and archaeology on the caves. Together, they help me understand these caves, their art, and the people they were created for, just a little bit better. Every new visit, every new talk, every new article I read about the caves, fleshes out the image of what the island and the caves would have been like, at their peak. I last wrote about the caves on this blog, in 2011, almost exactly 11 years ago. Since then, my understanding of the caves has, I would like to think, marginally improved. Hence this attempt to write a new and updated post, trying to bring to life, the caves of Elephan

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