Skip to main content

Featured Post

Book Review: On Philosophising, Philosophers, Philosophy and New Vistas in Applied Philosophy, by Dr. Sharmila Jayant Virkar

A little bit of context before you begin reading this book review. I have recently enrolled for an MA in Philosophy at the University of Mumbai. Philosophy is something I have been getting interested in, over the past few years, as those of you who have been reading my blogs and Instagram posts would know. During the pandemic, I thought long and hard about what I wanted to do next, and this is what I eventually came up with. It has been a challenge, getting back into academics as a student at this age, especially in a subject I have no academic background in. However, it has also been very exciting, especially thanks to my wonderful classmates (who, surprisingly, are of all age-groups, including some quite near my own) and my teachers, who have been very supportive and understanding. How well I will do is something that remains to be seen, but so far, I am enjoying this new journey and look forward to where it leads. Now that you know the background , you probably get an idea of how

KGAF 2014 - A Glimpse

January has already ended, and we are already a week into February. The year seems to be rushing past, and if the last few weeks have been any indication, things will only heat up in the coming months. It promises to be a busy year, and it is going to be an effort to update the blog on a regular basis, so please do bear with me.

Frictional Origami



Meanwhile, there are lots of good things happening around me, chiefly among which is my sister's engagement!! Yes, my little sister is getting married, and I couldn't be more excited! And competing with this wonderful event was something I look forward to every year - the Kala Ghoda Art Festival!! I did miss the first two days of the fest, but am slowly catching up. There have been compensations though.... I attended two heritage walks, for the very first time, and then dragged Samhith off to look at the installations on Rampart Row. While I will, of course, write more detailed posts in the next few days, here is a small glimpse..



The KGAF 2014 Heritage Walks are named 'Monumentum' - rather aptly, I think, since they are mostly about monuments.. and 'Momentum' does seem to be a theme this year, around which many of the installations have been based. The Heritage walks too have a similar theme, focusing on the communities which make up the city, and their movement and changes they brought along, through the years. The first walk I was able to attend was the Jewish History walk, which took us to the Keneseth Eliyahoo Synagogue in Fort. While the bit of history we learnt revolved around David Sassoon, most of which I already knew, this was my first visit to a synagogue, and it was a revelation of sorts! I loved it, and hope to visit more soon. All I need is the opportunity and the permission to enter them!!!!

Inside the Keneseth Eliyahoo Synagogue


Detail of the stained glass in the synagogue


The second heritage walk I attended, began with a workshop - on Stained Glass Painting. After all, the walk was supposed to take us to two churches which had some fabulous stained glass panels - The St. Thomas Cathedral and the Holy Name Cathedral (or Wodehouse Church). While the workshop was an eye opener, the churches themselves were so beautiful I wondered why I had never entered them before. And these are just two of the many churches which have some fascinating stained glass work in Mumbai!

A stained glass lamp shade at the workshop


Stained Glass panels of St. Thomas and the archangels St. Michael and St.Gabriel at the St. Thomas Cathedral, Fort


Part of a stained Glass panel at the Holy Name Cathedral, Wodehouse Road, Colaba


Attending the Heritage Walks, I spent hours around Kala Ghoda, but didn't get to see a single installation... thanks to the crowd, and having to register well in advance. Which is why, I went again.... with Samhith this time, just to look at them! This was surely my favourite one of the lot! Look how beautifully it has been installed... almost blending into the scene behind... the trees I mean, not the people...

Moving Grids - Artist : Nitant Hirlekar


which brings me to this...



and this...



I wonder how many of the people who thronged the fest even noticed these signs placed on the ground. They are meant to keep the people away from the installation.... first, so the art remains intact... and second and more importantly, so that we can see the installation as it is meant to be seen.. from a distance of about 10 feet. Unfortunately, few people seem to notice them, or actually follow what they say. However, it is small touches like these which makes the fest such a memorable experience for us, year after year!

As I said before, this post is just meant to give you a glimpse of what KGAF 2014 was like, and to remind you that the fest is still on, till this weekend - the 9th of Feb. If you haven't already visited, go have a great time, but be prepared for massive crowds over the weekend! Else, simply wait for my detailed posts!!


Comments

  1. Thank you so much for giving attention to details in my installation (hardly any1 did) ... I wish there were 1000's of you :p..

    Very much appreciated . :D

    ReplyDelete
    Replies
    1. You are welcome, Nitant! but it is we who must thank you for your wonderful installation! I know how frustrating it can be for an artist, when his work is not appreciated, but unfortunately, with the kind of crowd that the KGAF draws, it is getting increasingly difficult to spend time with installations and understand them peacefully. That said, for every callous spectator more interested in selfies than the art itself, there are many who really try to see and appreciate it. So, don't be disheartened, but keep up the good work! I look forward to seeing more of your work soon!

      Delete
    2. We artist know that thr is some part of the crowd who values art and want undestand it but bec of that Selfie Crowd that part of the crowd is also reducing day by day in KGAF which makes it more frustrating .. and I dont mind people not appreciating my art ... but at least even if they try getting into it ... is also very peacefully .

      Anyways thanks for tht blogroll
      And you can check my other work on my blog
      hirlekarnitant.wordpress.com

      Delete
    3. I couldnt agree with you more, Nitant. This, unfortunately seems to be a by product of popularisation of art and festivals. and sad to say, but we really dont know how to behave, esp in a crowd. and yes, this pushes the interested away. all we can do is hope for better times. And will def check your blog!

      Delete
    4. Hi,
      Here are More Insight on Moving grids
      http://wp.me/p3OQKO-38

      Delete

Post a Comment

Thanks so much for stopping by. Please leave a comment for me so that I will know you have been here....

Popular posts from this blog

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavantesh

The Elephanta Caves

The Elephanta Caves , located on Elephanta Island, or Gharapuri, about 11 Km off the coast of the Gateway of India, Mumbai, are a UNESCO World Heritage Site. A visit to these caves, excavated probably in the 6 th century CE, is awe-inspiring, and also thought-provoking. Over the years, I have visited the caves a number of times, and also attended a number of talks by experts in the fields of art, history and archaeology on the caves. Together, they help me understand these caves, their art, and the people they were created for, just a little bit better. Every new visit, every new talk, every new article I read about the caves, fleshes out the image of what the island and the caves would have been like, at their peak. I last wrote about the caves on this blog, in 2011, almost exactly 11 years ago. Since then, my understanding of the caves has, I would like to think, marginally improved. Hence this attempt to write a new and updated post, trying to bring to life, the caves of Elephan