Skip to main content

Featured Post

2023 - The Year That Was

Places impact you for a variety of reasons. And the same place impacts different people in different ways. This is especially true when it comes to spiritual experiences, where every single person’s experience is unique. And personally, every spiritual experience is unique, the same person can have different deeply spiritual experiences at different places, at different times. This thought has emerged because of my own experiences over the years, but especially so this year, with different and unique experiences at various places I have visited recently. I began this year with a visit to Baroda (Vadodara) with friends. It was meant to be a relaxed trip, a touristy trip, with our sons. We enjoyed ourselves to the hilt, but the highlight of that trip was a visit to the Lakulisha temple at Pavagadh. It was the iconography of the temple that I connected with, and I spent a few hours simply lost in the details of the figures carved around the temple. There was an indefinable connect with

Our Tirunelveli Temple Run – Part 11: Kazhugumalai

Poring over Google maps to figure out the distance from Sankarankovil to Kovilpatti, the name ‘Kazhugumalai’ jumped out. The chance to visit this ancient site, on our way to the station was too good to pass. And that is how we found ourselves rushing over rickety roads, headed to Kazhugumalai, our luggage rocking in the back of our auto!

Kazhugumalai, with the Murugan Temple in the foreground

Kazhugumalai (also spelled as Kalugumalai) literally means, ‘mountain of the vultures’. The rocky outcrop does seem to be the kind of place vultures would be seen in, but we didn’t spot any. The stories of the place, however, relate to a vulture from our myths – Sampati, brother of the famed Jatayu, from the Ramayana. It is believed that after the Ramayana war, Sampati comes here to pray for his brother, on the advice of Rama. Time passes, and Muruga, or Subramanya arrives, on his way to slay the demon Surapadman and his brothers. The old story, it seems, is being repeated, and it is now Sampati’s turn to aid the gods. In return, Muruga blesses him, and gives him salvation. Since it was here that a vulture attained salvation, the hill is known as Kazhugumalai. At the foothills is a temple to Muruga, seen here with his peacock. The original shrine, or the garbagriha, is a rock cut cave dating back to the Pandya period. The structure however has been extended over the centuries, and the resulting temple is a beautiful one with many interesting sculptures and subsidiary shrines.

Kazhugumalai Murugan, flanked by Valli and Devayanai,
with a saint sitting by his side, probably Arunagirinathar, who sang extensively of Him

While the Kazhugumalai Murugan Temple is the most popular among pilgrims, it is not the most interesting structure here. The hill bears testimony to some amazing sculptural talent, dating back to the 8th and 9th centuries, that too belonging to both, Hindu as well as Jaina traditions!

These rows and rows of Jaina figures are some of the most striking works of Kazhugumalai. I can only show you a small portion, since the ASI official in charge was closing up, and refused to allow me to proceed further. In any case, I might not have been able to manage the steep climb which leads to other, more impressive Jaina figures, located on the higher reaches of the hill.

Jaina art seems to have flourished here during the reign of Parantaka Nedunjadaiya Pandiyan (AD 768-800), according to epigraphic evidence from the sculptures and inscriptions. The carvings have been made in the name of various donors, from carpenters and labourers, to merchants. The loss of Pandya patronage seems to have driven the Jaina Siddhas from the region, and thus put an end to the creation of this remarkable art work on the hill.

On the other hand, is Vettuvan Kovil, on the same hill. The name literally means “Sculptor’s temple”, and it is indeed a marvel of the sculptors’ art. Carved out of a single rock, the similarity to Ellora’s Kailasanatha Temple is unmistakable, and the temple is indeed called, the Ellora of the south.

This beautiful temple is believed to have been built between the 8th and 9th centuries, during Pandya reign. It seems to point towards the transition of royal patronage, from Jaina beliefs to Shaiva beliefs. Sadly, the temple remained unfinished, for unknown reasons.

Uma Maheshwara

However, even the portion that was completed, and what remains of it, is impressive enough for us to spend hours simply gazing at the variety of sculptures – mostly of Shiva, but also of Vishnu and Brahma. 


Vishnu, seated at ease

Brahma, seated on a lotus

The sheer number of ganas depicted here, and the variety of their postures, is another interesting aspect of this temple.

a profusion of Ganas

And the view from the top is truly impressive. It was amazing to see how beautifully sculptors had created this out of solid rock, centuries ago!

The sun was setting as we left, and I couldn’t help thinking what a wonderful ending this was, to our Tirunelveli Temple Run. We had visited so many ancient temples on our trip, yet nothing encapsulated the concept of changing times better than this hillock. It reminded us of the role patronage played in temple building, but above all, it highlighted the deep interconnection between religion and politics, something that is very apparent today. After all, as they say “The more things change, the more they remain the same!”

  • Location: Kazhugumalai is located midway between Sankarankovil and Kovilpatti, about 20 Km from each town.
  • How to Reach: Kovilpatti is well connected by trains to different parts of the country. Buses are available from Kovilpatti to Kazhugumalai, however, you can also stay at Sankarankovil and combine a visit to Kazhugumalai with a number of other interesting temples in the region.
  • Timings: The Kazhugumalai Murugan temple is open from 5:30 AM to 12:30 PM and again from 6 to 9 PM. Vettuvan Kovil as well as the Jaina sculptures can be seen anytime during the day, till 6 PM.
  • Suggestions: It is best to visit Vettuvan Kovil as well as the Jaina sculptures during the day, or at least early in the evening. There is a very short, and easy climb involved for both, Vettuvan Kovil as well as the Jaina sculptures you see in this post. However, there are more sculptures higher up on the hill, which involve a slightly steeper climb. If you intend to visit all of them, plan accordingly, with plenty of time. Avoid afternoons, since it can get really hot.  

This brings me to the end of my Tirunelveli Temple Run, and also, my Summertrip 2015 series. The series has run longer than I had imagined, with 11 posts on the Temple Run, and around 45 posts in all. It has been a mammoth task, and I am actually glad it is over! Especially since I am soon headed on another trip… the last one of the year, my Winter Trip 2015!

Follow me on Instagram, Facebook and Twitter, to see where I am now headed to, and join me on my adventures.

Meanwhile, here are quick links to all my posts in the Summertrip series
      • The Southern Jaunt


      1. Nicely written with lots of information and beautiful pictures

      2. I love the series. Quite clueless about temples, your posts have taken me through and acquainted me with some of them beautifully. Thanks Anu!

      3. Knowing about the history and visiting ancient places was something that always attracted me since childhood. This is a great destination as per my interest. Thanks for sharing the extra information regarding the location and timing. It will be very helpful for me when I visit Kazhugumalai.

      4. You have beautifully described your trip. I am always interested to about the history of ancient places and adventures. It is images of Sculptures are very attractive and every sculpture is a mirror of the past.The Kazhugumalaiis very intersting place to visit.

      5. Such beautiful carvings ib the middle of nowhere. .. Thanx for bringing it to our notice...

      6. Love this Temple!! It is simply an epitome of spirituality !!

      7. Awesome article! The pictures are absolutely amazing! Makes me marvel about the rich heritage of India and stunning architecture of the ancient times.


      Post a Comment

      Thanks so much for stopping by. Please leave a comment for me so that I will know you have been here....

      Popular posts from this blog

      Gokarna Part II – The Five Lingams

      We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

      Rama Temple, Gokarna

      To my right , the waves rush to the shore, eager to merge with the sand. To my left, the same waves crash against the rocks, their spray diverting my reverie as I ponder over the beauty of nature, and wonder what first brought people here. Was it this beauty that encouraged them to build a temple here, or was it the fresh, sweet spring water flowing from the hill here that made this place special? No matter what the reason, I am glad my auto driver brought me here. We are at the Rama temple in Gokarna, just a few minutes away from the Mahabaleshwara Temple, yet offering so different a perspective.

      Pandharpur Yatra 2023

      The first time I visited Pandharpur was back in 2007 . The names Vitthal and Pandharpur, were just names to me. I had heard of them, but that was about it. Seeing the lord standing on the brick, hands on his hips, was memorable, but more memorable was the sight that greeted us as we walked out of the main sanctum of the temple. In the mandap just outside were a group of devotees singing abhangs , and dancing. This was the first time I had heard abhangs , and even almost 15 years later, I can remember the welling of feeling within me, listening to the songs, and how fascinated I was by the sight of the devotees dancing, lost in their love of the Lord. Over the years, as I have read more about Vitthal, and participated in Ashadi Ekadashi programmes at Puttaparthi, that first experience has stayed clear in my mind and heart. Every time I tell my Balvikas students of the saints who sang of Vitthala, it is that experience that I re-live. I visited Pandharpur again, in 2010, but that experie