Skip to main content

Featured Post

The Vaishnodevi Experience 2023

My first trip to Vaishnodevi was unimpressive. Climbing was hard, and it only served to highlight how badly out of shape I was, while my in-laws managed to cope so much better. Further, I hadn’t quite realized that the cave experience wouldn’t be the same as I had imagined, since the original cave was only opened at certain times a year, and that we only entered a newly created tunnel, one far easier to access, and hence more manageable with the crowds that thronged the mountain shrine. The resulting experience at the shrine, for barely a fraction of a second, hardly compared to what I had expected / imagined / heard about. So, for me, Vaishnodevi was like any other temple, nothing to write home about, something that was reflected (though not explicitly mentioned) in the blog post I wrote then.

Khajuraho - The Unexpected

Khajuraho. The very name conjures up exotic images of erotic art on temple walls. However, there is so much more to Khajuraho than just the erotic, or even just temples. Last December, Samhith and I spent three days at Khajuraho, exploring as much of the ancient town as we could, and over the next few weeks, I shall try to show you the Khajuraho that we saw, beginning with this photo clicked at the Kandariya Mahadev Temple.



The Kandariya Mahadev is one of the most impressive temples at Khajuraho, and it’s the details which make it so impressive. This particular figure is of Agni, the God of Fire. Here, though, he is one of the Ashta-Dikpalas, the guardians of the 8 directions. Agni guards the South-East, and it’s his placement on the South East wall of the temple, which allows us to identify him here. Notice the finer details, such as his beard….



These photos are among my favourites; among the hundreds I clicked at Khajuraho, thanks to this female Plum-Headed Parakeet which chose Agni to be her perch!

Her mate was nearby, perched on one of the smaller Shikaras….




And they patiently posed for me as I went click-happy; thrilled by the sight of birds on a temple, a combination I am always thrilled to see!

Comments

  1. I usually wait for the birds to fly away before taking pictures. :P

    But this time at the Rani ji ki Baori in Bundi there was a flock of pigeons who refused to fly away and all my pictures of the Baori are with them in the frame.

    ReplyDelete
    Replies
    1. And I look for birds to photograph! no matter where they are!

      looking forward to your pics of the Bundi! esp with the pigeons now!

      Delete

Post a Comment

Thanks so much for stopping by. Please leave a comment for me so that I will know you have been here....

Popular posts from this blog

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis