Skip to main content

Featured Post

2023 - The Year That Was

Places impact you for a variety of reasons. And the same place impacts different people in different ways. This is especially true when it comes to spiritual experiences, where every single person’s experience is unique. And personally, every spiritual experience is unique, the same person can have different deeply spiritual experiences at different places, at different times. This thought has emerged because of my own experiences over the years, but especially so this year, with different and unique experiences at various places I have visited recently. I began this year with a visit to Baroda (Vadodara) with friends. It was meant to be a relaxed trip, a touristy trip, with our sons. We enjoyed ourselves to the hilt, but the highlight of that trip was a visit to the Lakulisha temple at Pavagadh. It was the iconography of the temple that I connected with, and I spent a few hours simply lost in the details of the figures carved around the temple. There was an indefinable connect with

Forms of the Devi - An additional post for Navaratri 2010

The Subramania Samaj Temple in Chedda Nagar, where I live, is a temple dedicated to Lord Muruga or Subramanya. However, the temple also houses other deities such as Ganesha, Krishna, Ayyappan, Shiva, Durga and Hanuman. The temple thus celebrates a wide range of festivals, among them, Navaratri, dedicated to the Devi. For the nine days and nights of the festival, the temple resounds to the sounds of Sanskrit Slokas - from the readings of the Devi Mahatmyam in the mornings to the chantings during the Chandi Homam in the evenings. For those of us who live in the vicinty, the sound is almost like a background music, one we notice only when it stops!

However,the highlight at the temple (at least for me and Samhith!) is the decoration made every evening for the homam, depicting one form of the Goddess. For each of the nine days, we get to see a new arrangement, one we eagerly rush to see. This is the only part of the temple where photography is allowed, and it is now quite common to see young boys and girls with their digicams eagerly taking photos, asking about the Devi depicted! The name of the Devi is conveniently mentioned on a board for us ignoramuses, so it just makes things easier. As to the explanations, if the priest happens to be busy, it does not really matter, for the net is an inexhaustible source of information!

For the last three years, I have been photographing these depictions regularly and putting them up on my blog on a daily basis. This year, I decided to focus on the Golus instead, and decided to put all the decorations together as one post. So, here they are, with the names and the details, and hope you like them.....

On the first day, the Devis depicted were Jagat Prasootika and Lalita Tripurasundari

The one on the left is Jagat Prasootika, the divine mother of the Universe. The image shows the universe as a child in the arms of the mother,and signifies the divine mother nurturing the universe as her child. The one on the right is Lalitha Tripurasundari, the one who is the most beautiful in all the three worlds!

The second day brought us a new form of the Goddess, one we hadn't even heard of before - Bahuchara Mata. 

According to Wikipedia,
Bahuchara Mata is a Hindu goddess. She was a daughter of a charan Bapal dan Detha. She and her sister were on journey with a caravan when a marauder named Bapiya attacked their caravan. It was common practice in charan men and women if overpowered by their enemies, not to surrender but to kill themselves. Shedding the blood of charan was considered heinous sin. When Bapiya attacked the caravan, Bahuchara and her sisters announced tragu and cut their breasts. Legends tells that Bapiya was cursed and became impotent. The curse was lifted only when he worshiped Bahuchara Mata by dressing and acting like woman.[1] Today Bahuchara mata is considered patroness of—and worshipped by—the hijra community in India. Her followers believe in non-violence and consider killing of all animals and creatures a sin.
The goddess is shown seated on a rooster, holding in her arms, a sword, trident and lotus. Her fourth hand is shown blessing her devotees. There are temples dedicated to this form of the goddess in Gujarat as well as Rajasthan. The most famous among these temples, located in Mehasana, Gujarat, even has its own website, with lots of pictures and stories about the goddess. Click here to visit the temple website.

The third day's arrangement showed Maheshwari and Santoshi mata

Maheshwari (pronounced Maaheshwari) is the female counterpart of Lord Shiva (Maheshwara) and is thus shown with the same weapons as the Lord. This arrangement shows her with an axe and an antelope in her two upper hands, while among the lower ones, one is shown by her side, while the other is shown blessing her devotees. 

Santoshi Mata needs no introduction. She is probably the most popular among all the goddesses depicted! For those of you who would like to read more about her, click here.

The fourth day's arrangement depicted Kaala Ratri

Kaalaratri is the seventh goddess among the Nava Durgas - the nine forms of Goddess Durga, as mentioned in the Devi Mahatmyam. Her name literally means 'dark night', or the complete blackness of night, but she also depicts the destruction or victory over time (kaal) itself. She is dark,with unruly hair, wearing a necklace of lightning, holding weapons in her hands, and blessing her devotees by ridding them of fear. She is shown riding a donkey. 

The fifth day showed a bit of change, with the depiction of Kubera Lakshmi, which I have already written about here.

The sixth day brought along another surprise, with a Goddess I hadn't heard of -Momai Mata

Momai mata is a corruption of the word 'Mahamaya'. She is the kuldevi (family deity) of many Rajput clans, and she is known by various names in different areas of Rajasthan. She has, as her vehicle, the camel,not surprising, since she is a deity of the desert! One of the stories tells of a king who disrespected the devi since she was worshipped by the poorer sections of society, and had to bear the brunt of her anger. He finally had to atone by performing special pujas and vrats (fasts) to her, and she thenceforth became his family deity. To read more about her, click here

The seventh day's arrangement depicted the Devi as Shakambari.

In the Devi Mahatmyam, Durga prophesies that when the earth has been dry for a hundred years, the wise ones who continuously meditate upon her will cause her to be born in a superhuman fashion and she will bring forth from her body; fruits, flowers, vegetables and herbs to take away our hunger and thirst and our fear of death. She calls herself Shakambari. We pray to her for abundance of fruits and vegetables. She is depicted as being covered with fruits and vegetables, and as you can see from the photograph, apart from the face, every inch of the Devi is made up of vegetables, including the decoration around her. For more photos of Shakambari, see my earlier post.

The Eighth day or Ashtami is also called Durgashtami, so it was no surprise to see Kanaka Durga, but with one small difference. Kanaka Durga, located at Vijayawada, has only eight arms, while the figure depicted here has eighteen. In fact, the board mentioned her as 'Ashta Dashabhaya Kanaka Durga' or Kanaka Durga with 18 arms! Any explanations, anyone?

The ninth and final day is dedicated to Saraswati, so no surprises again - the decoration was the Goddess of Learning herself!

Ten goddesses in nine days (11 if you count Kubera Lakshmi). That includes two goddesses we had never heard of! This is the main attraction the temple holds for us during this festival season... There is so much we get to see, and get to hear.. and of course, so much I get to write about!!

Meanwhile, here are a couple of links from my friends' blogs..... both about Navaratri Golus....

EC has some wonderful pics of the Golu at Triplicane Sri Parthasarathy Temple,Chennai on the blog Temples of India.

Richard regularly posts about the events and festivities at Thiruvannamalai, and he has posted some wonderful pics of the Golu at the Yogi Ramsuratkumar ashram.


  1. you are prolific Anu
    Hats off
    and wonderful compilation

  2. Appreciate the efforts you put in to explain each picture..I have been to the Chedda nagar temple on a normal calm and nice

  3. wow! We generally have decoration of Ambal in the SIES Temple of Nerul also. But since I amd working and I also keep golu, I am never lucky enough to see the alangarams.
    These pics you put up of the Cheddha Nagar temple really really made my day and I feel blessed. Thanks Anu. And awesome efforts by you

  4. Thats pretty comprehensive Anu... Nice to read about her different forms at a single place..
    And the pics are fabulous!!
    Enjoyed the post:)

  5. 7th day Shakambari is the most interesting for me.:)


Post a Comment

Thanks so much for stopping by. Please leave a comment for me so that I will know you have been here....

Popular posts from this blog

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

Rama Temple, Gokarna

To my right , the waves rush to the shore, eager to merge with the sand. To my left, the same waves crash against the rocks, their spray diverting my reverie as I ponder over the beauty of nature, and wonder what first brought people here. Was it this beauty that encouraged them to build a temple here, or was it the fresh, sweet spring water flowing from the hill here that made this place special? No matter what the reason, I am glad my auto driver brought me here. We are at the Rama temple in Gokarna, just a few minutes away from the Mahabaleshwara Temple, yet offering so different a perspective.

Pandharpur Yatra 2023

The first time I visited Pandharpur was back in 2007 . The names Vitthal and Pandharpur, were just names to me. I had heard of them, but that was about it. Seeing the lord standing on the brick, hands on his hips, was memorable, but more memorable was the sight that greeted us as we walked out of the main sanctum of the temple. In the mandap just outside were a group of devotees singing abhangs , and dancing. This was the first time I had heard abhangs , and even almost 15 years later, I can remember the welling of feeling within me, listening to the songs, and how fascinated I was by the sight of the devotees dancing, lost in their love of the Lord. Over the years, as I have read more about Vitthal, and participated in Ashadi Ekadashi programmes at Puttaparthi, that first experience has stayed clear in my mind and heart. Every time I tell my Balvikas students of the saints who sang of Vitthala, it is that experience that I re-live. I visited Pandharpur again, in 2010, but that experie