Navaratri 2010 - Day4 - A Temple Golu

My first trip to Vaishnodevi was unimpressive. Climbing was hard, and it only served to highlight how badly out of shape I was, while my in-laws managed to cope so much better. Further, I hadn’t quite realized that the cave experience wouldn’t be the same as I had imagined, since the original cave was only opened at certain times a year, and that we only entered a newly created tunnel, one far easier to access, and hence more manageable with the crowds that thronged the mountain shrine. The resulting experience at the shrine, for barely a fraction of a second, hardly compared to what I had expected / imagined / heard about. So, for me, Vaishnodevi was like any other temple, nothing to write home about, something that was reflected (though not explicitly mentioned) in the blog post I wrote then.

Navaratri 2010 - Day4 - A Temple Golu

I live in an area which is predominantly South Indian, and has three temples within the colony itself. Today, I am taking you along to the smallest temple - dedicated to the Goddess Mariamman (the most popular form of the goddess worshipped in the rural areas of Southern India). This temple keeps a Golu every year, and the interesting thing is that all the dolls have been donated by people. I enjoy visiting this temple during Navaratri just because I can see some old and wonderful clay dolls of Gods and Goddesses, which are infinitely more beautiful than their newer counterparts.

Here is the overall view.... there are two sets of steps which have been combined to keep all the dolls...

And here are some interesting dolls....

These are Samhith's favourites....
The houses.....

..... and this pumpkin!

I liked this Dakshinamoorthi with his disciples - the four sages.

There are two sets here... one is the marriage set and the other is a group praying to a Ganesha near a tree.

I loved these two dolls... one wearing a six yards saree and the other wearing the traditional nine yards one...

And here is a closer look at the tree. There are idols at the base, such as a Ganesha and a lingam. There are also four statuettes of snakes, a sight commonly seen in temples in Southern India. Wish I had one of these!

Here is a new set I have not seen before. This one depicts the Lakshmi Kubera Puja. The pair at the centre are Kubera, the God of wealth and his wife Sittarini. Above is Goddess Lakshmi, pouring Gold Coins, symbolizing wealth. On the two sides are Yakshas, and in front are pots of puffed rice and coins covered with sugar candy. To read more about Kubera Lakshmi, click here. Incidentally, there is a lotus placed in front of Kubera with a golden fish on it. I have been unable to find the significance of this, except that the fish is considered auspicious and signifies the presence of Lord Vishnu in Matsya avatar. If anyone can throw any light on this, please do write in and I shall update this post with your information.

And finally, here is the Devi herself, all decked up for the evening pujas....

A closer look at her...

Thats all for today....Lets see what tomorrow brings!

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis

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