The Final Golu for this year... and a performance...

My first trip to Vaishnodevi was unimpressive. Climbing was hard, and it only served to highlight how badly out of shape I was, while my in-laws managed to cope so much better. Further, I hadn’t quite realized that the cave experience wouldn’t be the same as I had imagined, since the original cave was only opened at certain times a year, and that we only entered a newly created tunnel, one far easier to access, and hence more manageable with the crowds that thronged the mountain shrine. The resulting experience at the shrine, for barely a fraction of a second, hardly compared to what I had expected / imagined / heard about. So, for me, Vaishnodevi was like any other temple, nothing to write home about, something that was reflected (though not explicitly mentioned) in the blog post I wrote then.

The Final Golu for this year... and a performance...

The Fine Arts Society, Chembur is a hub of activity almost throughout the year. However, it is during Navaratri, that the place attracts even more crowds than usual. The reason is of course, their music and fine arts classes, which begin on Vijayadasami, but even non-musical people like me rush there to see their golu, year after year.

This golu is one of our favourites, and one we rush to see every year, even though the main dolls are all the same.There are a few new ones every year...

Bhu-Varaha represented in two forms...

This one, being white, I am guessing is Shweta Varahaswamy

and there are always some which we love to see... again and again and again!

On top are the Ashta Lakshmis or 8 forms of Lakshmi.
below are Ganeshas, represented as the Dashavatars

Under the tree are Adi Shankara and his disciples. Behind them are the pontiffs of the Kanchi Math

A Garden, with animals

We always love their Marapachis!

Vithala Rakumai look beautiful, dont they?

Ganesha

Ayyappa

Great Souls - Gandhiji, Buddha, Thiruvalluar, Tyagarjar, Raghavendrar, and Meera

Dhanvantari, with his medicinal plants spread out

But it is the side decoration that beckons us. This year, the theme is the Ramayana, and the entire epic has been recreated with handmade dolls.

Birth of Rama (and his brothers)

Sita's Swayamvar

with Sita and her sisters looking on

In the forest - Bharata taking back Rama's Padukaas

Sita being kidnapped by Ravana, while Rama and Lakshmana go after the golden deer

Meeting Shabari

Sita in the Ashoka Vatika

Ravana's court

And finally, Rama's coronation

This year, I was at the Fine Arts Society for one more reason... to see my sister dance. As some of you know, she is a Bharatanatyam and Kathak dancer, and performs at various places with her group from the Sanskriti Academy of Fine Arts, Thane, under the inspired guidance of Smt. Asha Sunilkumar. This year, I am proud to say that I believe she surpassed herself, with a performance that had everyone stand up and notice her. Of course, the entire troupe performed beautifully, but with my sister on stage, can I have eyes for anyone else? Here are a few glimpses of her expressive face....

You can see the entire album of photographs on Facebook....here

and on Google Plus Photos... here.

And those of you who are going to ask me why I didn't take a video, sorry, but my camera was running low on battery, and I didn't want to risk missing part of the performance. Besides, I don't really think I am good at videography, but I promise to at least try next time!

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.

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