Ranganatha Swamy Temple, Srirangapatna

My first trip to Vaishnodevi was unimpressive. Climbing was hard, and it only served to highlight how badly out of shape I was, while my in-laws managed to cope so much better. Further, I hadn’t quite realized that the cave experience wouldn’t be the same as I had imagined, since the original cave was only opened at certain times a year, and that we only entered a newly created tunnel, one far easier to access, and hence more manageable with the crowds that thronged the mountain shrine. The resulting experience at the shrine, for barely a fraction of a second, hardly compared to what I had expected / imagined / heard about. So, for me, Vaishnodevi was like any other temple, nothing to write home about, something that was reflected (though not explicitly mentioned) in the blog post I wrote then.

Ranganatha Swamy Temple, Srirangapatna

In a time long, long back, even before temples were built, certain sites were considered sacred. Among such sites are the islands on the Kaveri, which were marked out as abodes of Lord Vishnu. It is said, that when the Kaveri flowed down from Agasthya’s kamandalu, free and unbound, she asked a boon from Lord Vishnu, that she be considered more sacred than the Ganga. And Vishnu agreed. He replied, “The Ganga flows from my feet. You, Kaveri, are my garland! And it is thus she flows, around these islands demarcated for Him, like a garland, sanctifying the land, and those of us who visit, with her mere presence. The first among these islands is Srirangapatna, near Mysore.

Lord Ranganatha here is called Adi Ranga – the first among the Ranganathas, since there are more such abodes of his, downstream. The temple here is an ancient one, first built by a Ganga chieftain, Tirumalaraya, in 894 AD. The temple was later expanded by the Hoysalas, the Vijayanagara kings, the Wodeyars, and finally, Hyder Ali. The Hoysala and Vijayanagara influences are clearly evident, especially in the pillars and columns.

The entry to the sanctum is through a mandapa, which is decorated with various forms of Vishnu. Unfortunately, photography is not allowed inside the temple, and the outside was under renovation when we visited, so I do not have many photos to show you.

The main sanctum has a massive idol depicting Lord Vishnu reclining on the seven hooded Adishesha, his consort, Lakshmi at his feet, and other deities flanking him. This is said to be the biggest Ranganatha idol in Karnataka.

Interestingly, as I mentioned before, all the major islands on the Kaveri are dedicated to Ranganatha Swamy, and there are three such island temples –

The first is this temple, at Srirangapatna, 15 Km from Mysore, called Adi Ranga.

The second , Madhya Ranga, is at Shivanasamudra, 60 Km from Mysore, better known for its waterfalls.

The third, Antya Ranga, is at Srirangam, near Trichy, and is the biggest and grandest temple of the three!

A single day pilgrimage to these three temples is considered extremely sacred, and is popularly called ‘Tri-ranga Darshanam’.

This map I saw at the temple might be of use to those of you who would like to try out the Tri Ranga Darshanam

Even more interestingly, this temple also figures on another pilgrimage list – the Pancha Ranga Kshetram, or 5 shrines of Lord Rangnatha. These five temples are -

Sri Ranganathaswamy Temple, Srirangapatna, near Mysore
Sri Ranganathaswamy Temple, Srirangam, near Trichy
Sarangapani Temple, Kumbakonam
Sri Appakudathan Temple, Trichy
Sri Parimala Ranganatha Perumal Temple, Mayiladudurai.

The story of the Ranganatha Swamy temple is the ancient story of Srirangapatna. However, the city has more stories to tell … stories from the more recent past, as well as the present. Over the next few weeks, you can look forward to reading more of these stories, so keep coming back!

Information:

Location: Srirangapatna is about 15 Km from Mysore.

Temple Timings: 07:30 AM to 1 PM; 4:00 PM to 8:00 PM

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.

A Wandering Mind

Search This Blog

Featured Post

The Vaishnodevi Experience 2023