Skip to main content

Featured Post

2023 - The Year That Was

Places impact you for a variety of reasons. And the same place impacts different people in different ways. This is especially true when it comes to spiritual experiences, where every single person’s experience is unique. And personally, every spiritual experience is unique, the same person can have different deeply spiritual experiences at different places, at different times. This thought has emerged because of my own experiences over the years, but especially so this year, with different and unique experiences at various places I have visited recently. I began this year with a visit to Baroda (Vadodara) with friends. It was meant to be a relaxed trip, a touristy trip, with our sons. We enjoyed ourselves to the hilt, but the highlight of that trip was a visit to the Lakulisha temple at Pavagadh. It was the iconography of the temple that I connected with, and I spent a few hours simply lost in the details of the figures carved around the temple. There was an indefinable connect with

Navaratri Preparations - Part 1

We Indians celebrate some festival or the other every month…… and in the peak festival season, more than one in a month. Apart from the big ones, we also have a lot of smaller ones, all of which have their own importance. Every puja in the house is accompanied by the special festive spread, the decorations and of course, the decking up in nine yards (for me) and festive wear (for Samhith)!

Imagine then our plight, when all festivals were cancelled post a death in the family, for a year! To make matters worse, another death postponed festivities for another year. At last, the period of mourning is over, and we can get back to the business of celebration!

No one is more thrilled than Samhith, especially since the first festival we shall be celebrating is Navaratri – the nine days and nights dedicated to the Devi. This festival holds a special attraction for him, since we keep the traditional “Bommai Kolu” – steps with earthen dolls kept on them.




Traditionally, the Kolu is comprised of two parts – the first being the steps – usually 3, 5, 7, 9 or 11, depending on the space and doll availability. This usually depends on the family, and each keeps a certain number of steps every year. While it is considered agreeable to increase the number of steps, the number of steps is usually not reduced.


Here are is a photo of the golu at the Fine Arts Society, Chembur, last year, a perfect example of what a golu should be.





The toys kept on the steps too have their significance – they symbolize the creation of life, which is attributed to the goddess, and comprise samples of her creations – from humans and animals at the bottom level to characters from mythology and demigods at higher levels to gods and goddesses at the highest levels.


The second part of the golu is where scenes from everyday life are recreated. This is the part where children usually contribute their bit, and is certainly the most interesting part of the golu, especially as it changes every year!



This was the decoration at Fine Arts - a representation of Mount Kailas


This is what Samhith is looking forward to, and has great plans of making a city, complete with airport and railway station, and of course, his favourite animals in a forest……. Grand plans, wouldn’t you say, considering that he has his first brush with exams coinciding with the festival? Well, nevertheless, we are going full steam ahead with our preparations, keeping our fingers crossed, hoping that nothing happens to disrupt our plans.

There is exactly a week left for navaratri, and I am planning to write a series of posts describing our preparations, especially as it involved a lot of web-searching on my part, with interesting results which I would like to share with all of you.

The credit for this series of posts goes to Srivats, who has not just given me some great inputs and ideas, but has also been egging me on to write these posts! So, Srivats, this series is for you!

While I prepare my first post on the actual preparations, you can take a look at our last golu – which was a couple of years back.




And here is Samhith’s contribution – all made with his toys! There is a river, lots and lots of animals (at last count they exceeded 200!) and even the sea….. Of course, the sea is contained within a small plastic tray, but it is absolutely crammed full of sea creatures – I had suggested laying them out on blue paper, but he vehemently opposed it! These animals were supposed to be in the water, not on top of it, he said!



That was when he was a couple of years younger, so it was easy to convince him that the mountain and river in the background looked real enough. This year, though, is another story altogether! So, look out for the next few posts......



P.S. : If you have come this far, please do let me know whether you prefer my blog in its earlier format with the full post on the main page, or this one, where the "Read More" link brings you to this page. Is it visible enough? If not, do you have any suggestions about how I can improve it? 

Comments

  1. Great!
    Back to Happy Happy mood ! :) I can imagine how excited Samhit would be :) behind the sets pictures plsssss

    ReplyDelete
  2. I personally don't use "read more" function on any of my blogs. I just find that if someone is reading your blog, they are more than likely to finish the whole post.

    But saying that, I don't think it really matters. If your content is interesting (which it is), then people are not bothered about small details. So you should decide what format you enjoy most.

    ReplyDelete
  3. The idols look so fascinating. Have fun.

    ReplyDelete
  4. Thanks for mentioning my name *hides* hehe :P I wish i could help u out more hehe :) Glad to see samhits first ever creations, waitin for ur next posts hehe :) thanks again

    ReplyDelete
  5. Didn't know about the 'kolu'. Sounds like a fun thing to do for kids. I will make this with my 3 year old daughter, this year....
    Nice post Anu. Looking forward to the rest of the series...
    Rashmie
    http://blog.gorgeouskarma.com

    ReplyDelete
  6. why increase number of step every years?

    ReplyDelete

Post a Comment

Thanks so much for stopping by. Please leave a comment for me so that I will know you have been here....

Popular posts from this blog

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

Rama Temple, Gokarna

To my right , the waves rush to the shore, eager to merge with the sand. To my left, the same waves crash against the rocks, their spray diverting my reverie as I ponder over the beauty of nature, and wonder what first brought people here. Was it this beauty that encouraged them to build a temple here, or was it the fresh, sweet spring water flowing from the hill here that made this place special? No matter what the reason, I am glad my auto driver brought me here. We are at the Rama temple in Gokarna, just a few minutes away from the Mahabaleshwara Temple, yet offering so different a perspective.

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.