Hampi Part 9 - Hazara Rama Temple

My first trip to Vaishnodevi was unimpressive. Climbing was hard, and it only served to highlight how badly out of shape I was, while my in-laws managed to cope so much better. Further, I hadn’t quite realized that the cave experience wouldn’t be the same as I had imagined, since the original cave was only opened at certain times a year, and that we only entered a newly created tunnel, one far easier to access, and hence more manageable with the crowds that thronged the mountain shrine. The resulting experience at the shrine, for barely a fraction of a second, hardly compared to what I had expected / imagined / heard about. So, for me, Vaishnodevi was like any other temple, nothing to write home about, something that was reflected (though not explicitly mentioned) in the blog post I wrote then.

Hampi Part 9 - Hazara Rama Temple

The name ‘Hazara Rama Temple’ makes you wonder – a thousand Ramas? Would there have been a thousand idols of Rama here? Or just a thousand carvings depicting Rama? And why the word ‘Hazara’, which has its origins in Urdu, and not ‘Sahasra’ – which is the Sanskrit equivalent? Or is it simply a corruption of the word? As it turns out, though there are a thousand (or more) depictions of Lord Rama on the walls of this small, but beautiful temple, the name might have something to do more with its location than the Lord it was built for. ‘Hazaramu’ is the Telugu word for audience hall or the entrance hall of a palace, which is where this temple is located. This might have been the private temple of the Vijayanagara kings, which is probably why it is not as huge as the other temples in the city.

This is one of the few temples where every inch of the outer wall is filled with carvings depicting scenes from the Ramayana. By the time we visited this temple, it was already dark, and my camera could not really succeed in bringing out the beauty of the individual panels….

Most of the scenes on the outer wall depict elephants and horses - at least thats what we could see in the dark! They looked like armies.... Rama's army???

Left to me, I could have spent hours poring over each panel, identifying the scenes depicted on them, and telling Samhith the story, besides of course, photographing each and every one of them!

Scenes from the Ramayana on the inner wall.... If I had time, I would have photographed scenes separately so that I could have written this post in the form of the story.... Another time :(

There arent only scenes from the Ramayana... Krishna figures too, quite prominently...

and here is one of Mahishasura Mardini

However, it was already dark, and the fact that the temple was empty except for our group only heightened the eeriness already present…..

Probably it was the almost complete darkness in the sanctum, which had some beautifully carved pillars I managed to capture……

Vishnu - with Sridevi and Bhudevi

This, it seems is Kalki... I love this representation on a horse instead of the ones we see today with a horse-face!

Hanuman

Ganesha

Or probably it was the destruction that the temple had experienced when the invaders had hacked at the head of every single figure on the gopuram…..

There was something about the temple which prevented me wandering off alone with my camera, as I normally do, and I stuck with our group, keeping in mind that the next time I was here, I would make it a point to keep at least half a day aside for this temple alone!

Gokarna Part II – The Five Lingams

We continued our Gokarna trip by visiting four other Shiva temples in the vicinity, all connected to the same story of Gokarna. The story of Gokarna mentions the Mahabaleshwara Lingam as the one brought from Kailas by Ravana, and kept at this place on the ground by Ganesha. (See my earlier post- Gokarna – Pilgrimage and Pleasure). However, the story does not end here. It is believed that, in his anger, Ravana flung aside the materials which covered the lingam- the casket, its lid, the string around the lingam, and the cloth covering it. All these items became lingams as soon as they touched the ground. These four lingams, along with the main Mahabaleshwara lingam are collectively called the ‘ Panchalingams’ . These are: Mahabaleshwara – the main lingam Sajjeshwar – the casket carrying the lingam. This temple is about 35 Kms from Karwar, and is a 2 hour drive from Gokarna. Dhareshwar – the string covering the lingam. This temple is on NH17, about 45 Kms south of Gokarna. Gunavanteshw

The Havelis of Bikaner - A Photo Post

The lanes are narrow , twisting and turning amidst buildings old and new. Crumbling old structures with intricate workmanship stand side by side with art deco buildings, and more modern constructions, which follow no particular style. Autos, bicycles, motorcycles and vans rush past, blowing their horns as loudly as possible, while cows saunter past peacefully, completely unaffected by the noise. In the midst of all this chaos, children play by the side, and women go about their chores, as we explore these by-lanes of Bikaner, and its beautiful Havelis. Facade of one of the Rampuria Havelis

The Power of 8 - The Ashta Dikpalas and Ashta Vasus at Khajuraho

The four cardinal directions form the axis on which a temple is built, and are thus the basis of temple architecture. Leading from them are the eight directions, which are believed to be guarded by the eight guardians, or Ashta Dikpalas . In the temples of Khajuraho, great care has been taken by the sculptors to carve the Ashta Dikpalas on the walls, both inside and outside. They not only guard the temple, but also look over us as we circumambulate the shrine, protecting us by their presence. They are augmented by the Ashta Vasus , celestial beings which represent natural phenomena. Together, they enhance the idea of the temple as cosmos, enfolding within it, all the aspects of nature, both, on earth, as well in space.

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